From dependence to independence Essay

From dependence to independence To what point does Jo turn during the free rein and constrain less(prenominal)(prenominal) open on different community?Jo was a nave young schoolgirl, parasitical on her unreliable sustain Helen, never knowing her father. She was trapped between school, her cause and grotty little bedsits, never genuinely having an outside bread and besidester. This kept her young, so she was very(prenominal) a lot babyish and had a fear of the dark. Jo was dread(a) to leave her produce and spread her wings. Her c atomic number 18r is a roller coaster and the act as shows her livelihood with its ups and downs. From meeting the pitch-dark sailor, to fuck send offting wangle to give birth, we observe her mature and become independent.In Act 1, Scene 1, we strike out about Jos schooling and talents. When she arrives, she motives to find somewhere to plant her bulbs. As she recounts, Its nice to see a few flowers. Helen as well finds some drawings that Jo had do and gives her a r are compliment by say, I didnt realise I had such a talented daughter. Jo replies by saying, Im not full talented, Im geniused.Jo is also object of leaving school and Helen at Christmas. She seems to theorize that she is mature enough to do so. She loathes the prone and when Helen says, This is the place, Jo replies, And I dont equivalent it. She hates biographytime and doesnt realise how nigh it can be because she is always on the work. She also seems lonely. This is most alike(p)ly because she is never in one place farsighted enough to make any friends.Her train gives her very little support so she must seek affection from new(prenominal) sources. She is sarcastic, alone witty and is always say Helen moxie. Although she seems to hate Helen, Jo is very dependent on her and to a certain extent Helen is dependent on Jo. She is always making Jo do things for her ( bumpting drinks, cooking, etc).Jo and Helen are mother a nd daughter muchover someone who didnt know them, cogency rally that they were strangers that abhorred each other. The pair are constantly bickering and Jo rase says, Im sick of you. Youve made my life a misery. Jo blames Helen for her misfortune and, in righteousness most of it is Helens fault. There is no typical mother / daughter alliance between them. They mainly communicate finished bickering and rasied voices.Jo is desperate to leave her mother as soon as she has the chance. The teen is always criticising Helen and vice versa, although Jo does a component more, for example, Youre knocking it back worse than ever. Jo never calls Helen mother. This is in all probability because Helen never acted like mother and elevator cared for her daughter like a mother should. Even Helen says, I know, Im a cruel, peccant woman, not using the word mother. Towards the end of the play, Helen comes back to live with Jo. The readers thusly think that she has decided to be a dandy mother before her child deserts her. Instead we see that prick has thrown her out and Helen has become the strung-out p rusey, not Jo. There is total graphic symbol reversal here as Jo has develop however Helen is immature perhaps nave thinking that she can just incline back in with Jo and return everything back to how it was.Peter is a brash car salesman with an eye patch. Helen moved again to ca-ca away from him but he introduce her down. He urgencys her to marry him but Helen declines the depression time but agrees when he persists. Jo seems to hate him and even asks if hes al officious married. She seems spiteful and full of hatred towards Peter. They are both fighting for Helens love. Jo asks Peter, Do you fancy me? and he responds, Not yet. He also has photographs of all his ex-girlfriends. Jo teases him quite a bit, asking about his eye and why hes marrying Helen.Jo also has a fear of the dark, Im not frightened of the duskiness outside. Its the darkness inside I dont like. This could be that she is single scared of her coming(prenominal) and not whats happening to everyone else. Jo lives in a poor, sad life and her needfully are not important to Helen and the stately mother neglects Jo a lot, for example, leaving her unaccompanied for a weekend while she runs off with Peter.Helen also makes no attempt to dish Jo when shes pregnant. Because of the lack of motherly love, Jo is pertinacious to become independent. She plans to move out, get a job and marry a menacing sailor. Her mother disapproves but that makes Jo even more single-minded. She is only sixteen so we see that she is pretty independent for her age. She is growing less dependant on Helen, which is a good thing. Readers may think that she is doing this because she has realised that Helen give never love her as much as her many boyfriends.Jo had a apprise love affair with a black sailor. Readers never find out his seduce but Jo calls him Jimmie. It is a quick kind as he has to leave but the relationship is quite odd. They both say that they love each other but are very relaxed with each other and Jo doesnt seem to care that he doesnt come back.Jimmie offers quite a lot of comfort. He is older than Jo and they could move in together if he wasnt always on the move. He also asks Jo to marry him. She jumps at the opportunity, probably because it actor she can leave Helen.As I said, Jo appears to love the sailor but doesnt expect him to return and doesnt affright when theres no house of him. This could be because her life is so defective anyway, that she becomes pessimistic and doesnt expect her life to improve in any way. She has had her discernment of honey and it has gone forever. Her ideas about him do change. Jo says, Last Christmas I had him, and she realises that she loves and misses him but only when the baby is due. It seems to her that it was all a fantasy and she cant remember the reality. The strike is, the dream left her pregnant w ith an inadvertent baby so it must be real.While Helens away, Jo meets Geoff, a gay, art student and the pair move in together, without Helen knowing. In todays society, there is nothing wrongfulness with this but homo internals were frowned upon in the 1950s. Geoff is an ideal best friend for Jo. She is no longer dependent on Helen but is instead dependent on Geoff, probably more than she was on her mother. Jo even says, purportedly to the baby, Lets see what freehand sisters making us.Geoff is a friendly carer and is exclusively different from the sailor. Whereas the sailor wants a sexual relationship, Geoff is content with caring for Jo and making cakes. Geoff even asks Jo if they should get married and also asks her what shed do if he started something. Jo replies, In my condition, Id probably faint. He adores babies but Jo is less keen on them. Geoff seems to want, more than anything, to be the father of Jos child.To pose with, Jo treats Geoff with little respect, joking around and saying things that could hurt him. As their relationship progresses and they get to know each other better, Jo respect Geoff more and more. Jo eventually realises that the baby depart need a father externalize and decides to let Geoff stay, but they wouldnt get married.Jo has mixed feelings about becoming a mother. She is intent on keeping the baby at first because she thinks it is cruel to have them aborted. She does, though, have some doubts. For example, she doesnt want to breast feed her baby. Geoff brings her a hiss to practice holds on. She says the colours wrong the father being black and explodes. She screams, Ill bash its brains out Ill butcher it I dont want to be a mother, which makes us think that she may have an abortion subsequently all.Previously though, the baby kicked her and she was overwhelmed. All of these detail then leave us enquire if she is ready for motherhood. It is more likely that she is ready to become a mother because she has grow a lot since the beginning of the play when she was dependant on Helen.As the play progresses, we see Jo turn from a nave young girl to a mature woman. She is no longer dependant on anyone and, although she is probably destined to a life living in small flats and houses, the prospects are bright and, as she sings at the very end, a glimmer of hope shines through with(predicate) and we think she may have a happy life.